![]() In addition to sheets that describe each stem, which include a graphic capture of the relevant audio tracks and the automation items that were involved in each of them, I have also included 1) a comprehensive "TRACKS WINDOW", 2) a "STUDIOS AND CHRONOLOGY" page that details who did what, and where, 3) a description and graphic illustration of one of the more left field processes involved in the “MULTI-SESSION RECONCILIATION EXAMPLE”, and 4) little pointers to details like group edits done to adjust "feel", and mic-bleed happening between performers. In a way this is an idea that's been a long time coming, and with the advent of bandcamp we have a platform to start chipping away at it! This was just to give some idea of how many ways all these elements can be combined musically, just by moving them around. Provided there is continuing interest, we'll build up a library of songs in stems that a) are fun and interesting by themselves, b) illustrate some key production techniques one step at a time, c) open up the many performances to your deeper scrutiny and appreciation, and d) give the creative modifiers & remix jockeys out there something to play with.Īs an example I made five alternate mixes restricting myself to certain small numbers of elements. Although a full instruction in EVERY DETAIL ALL AT ONCE would take an impossible amount of work to put together, and be a pain in the ass for anyone to sit and "study", I think the following scenario will be pretty workable. More than just offering stems, which are all at zero-point and you are free to load into your DAW and mix at leisure, I aim to satisfy the curious with a few descriptions and illustrations of how things came to sound the way they do.
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